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more interfacing, onboard sequencing, and an extensive DAW/ VST software bundle. A MIDI keyboard controller with extensive DAW and VST control, multi-channel USB audio. But the MOXF's weak point is its small monochrome screen and unintuitive workflow.Item# H74342V The Yamaha MOX6 combines a MOTIF XS sound engine. The remote DAW integration and VST editor are also essential inclusions and really speed up deeper editing tasks. It's great that you essentially get all the sonic power of the flagship Motif XF for a lot less money and the included arps, sequencer and pattern recorder are also immensely powerful tools. The MOFX has been expanded in all the right places (bigger wave ROM, flash expansion slot, more insert effects, doubled polyphony) and the AWM2 engine despite its age, still trumps the competition in terms of authentic ear pleasing sonics and raw power. The clavinet and organ patches could be more authentic but all things considered, there's everything that you could want in terms of solid staple sounds.
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The envelopes are punchy, the quality of the onboard effects is very good and there are also three handy effect bypass switches plus two assignable switches that default to the Expanded Articulation characters (such as muting, harmonics and slides).Īcoustic and electric instrument sounds are also a strongpoint of the Motif sound engine, including some expressive and realistic sounding solo strings and brass, very authentic Rhodes and Wurli emulations, excellent acoustic pianos and lovely acoustic and electric guitars. So, if you're after warm pads, juicy and cutting leads, deep basses and funky comping patches, the MOXF is hard to beat.
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Remember there is no VA engine onboard, yet the synth sounds have a very analogue feel and presence - putting a sawtooth poly patch up against an analogue Alesis Andromeda, it was surprising just how close you could get to the raw tone.
"If you're after warm pads, juicy and cutting leads, deep basses and funky comping patches, the MOXF is hard to beat" The range and quality of the sounds, presets and arps is class-leading and the warm and natural vibe is where the MOXF really scores above its rivals. Polyphony has also been doubled to 128 notes (so less note stealing) and the entire waveform ROM of the flagship Motif XF is now onboard which is fantastic. Each voice can have up to eight elements and the waveform ROM has been increased from 355MB (on the MOX) to 741MB, which also results in 136 more voices including the quality S6 grand sample. The sound engine on the MOXF6 is based on Yamaha's acclaimed AWM2 (with expanded articulation) architecture.
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So, if you want to make smooth filter changes it's essential to assign the filter to the mod wheel or to a control pedal. Unfortunately, the filter stepping issue we highlighted when we reviewed the MOX8 is still present and we attribute this to the dials being of the click-stepped type, rather than smoothly travelling pots. It's also nicely cushioned at the bottom of the keystroke though, as seems the norm these days, there's no aftertouch. The 61-note synth action keybed feels very nice to play and responds well even when playing piano sounds. The portability is great and the whole package weighs in at just 7.1kg (15.6lbs), which is light enough to pick up in one hand. "Build quality is generally sturdy, if a little plasticky, but we wouldn't have any reservations about using the MOXF6 on stage regularly"īuild quality is generally sturdy, if a little plasticky, but we wouldn't have any reservations about using the MOXF6 on stage regularly, though we'd want a sturdy flightcase to protect it. The only other noticeable difference is underneath, where there's now a slot for adding the flash expansion card option. Nothing has changed cosmetically except for the end panels, which are now a bronzy/red colour reminiscent of the old Korg Karma. On first glance you'd be hard pushed to tell a MOXF6 from a MOX6.
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